May
11
2009

WHT's Wizrd of Oz

Posted at 05:00 PM

In Section: Curtains Posted By: Russ Bickerstaff
 


I found myself in a nearly sold-out Alchemist Theatre last night. It was the first of two performances of Wisconsin Hybrid Theatre’s Wizard of Oz spoof. Checking things out online, I couldn’t help but notice that both performances of the show (there’s one next week Sunday as well) were more or less sold out. At last glance, there were only a few seats left on next week’s performance. It’s nice to know that in this economy, light comedy that plays like a really elaborate staged reading can sell out a space like the Alchemist for two performances.

The premise behind a Wisconsin Hybrid Theatre show is a lot of fun—a group of stage actors play a group of voice actors from the golden age of live radio. The comedy plays out on two levels as there is comedy in the interactions between the voice actors AND comedy in the familiar story that’s being skewed for the fictional airwaves of Radio WHT. (Radio what? Exactly . . . )

The Wizard of Oz spoof doesn’t have quite as much comedic bite as the Sherlock Holmes spoof that WHT did a little while ago, but it’s still a great deal of fun. The actors milling about in the bar before the show are all a bit concerned about precisely who is going to be playing the cow . . . a bit odd considering this is the Wizard of Oz. . . meanwhile, actor Jack Farwell (Randall T. Anderson) is inside the theatre talking with the sound effects guy, Chris Knapp (Charles Sommers, who also wrote the show.) Chris seems a bit out of place not having any water to work with—he’s always had water sound effects to work with before, but there’s nothing here . . .

The spoof itself goes for some pretty easy jokes with the classic tale. Quite a few jokes skew in the direction of Wisconsin. Dorothy (played by Lorilyn Layton, who is, in turn, played by Rachelravenlilysophia,) is from Oshkosh. Rahter than having a pet dog, she ahs a pet cow. The yellow brick road is actually green and gold. The very best of the local skewing humor has to be The beginning of the story, in which Oshkosh is described as being very grey . . . a reference to the movie, but anyone who has been in Oshkosh can attest to it being a relatively grey place . . . which makes for clever humor.

The cow ends up being played in turn by three different guys who would rather NOT be playing the cow . . .  a fun little bit of humor as each of them has his own little spin in it . . . but none of them manage to deliver the kind of personality it should have . . . there’s a lot you can do with the sound of a moo and the clanking of a bell and none of them really realize this, which is only a small detail . . .

Char Paulbicke continues to be fun to watch in the role of Mary Loomis. She’s got a constantly nervous kind of compassion about the show that never seems to get tiresome. She’s got a really unique kind of comedic stage presence that gives WHT a very distinctive feel. Also making a performance of note here is Tim Higgins makes his debut here as Ward Greeley, who plays the Metal Man--a particularly compassionless Tin Man. Randall T. Anderson had an interesting moment as well—he’s playing the Gate Tender at the emerald city—and the voice he was doing sounded particularly fmilliar, but I couldn’t quite place it until a couple of hours after the show—he’s doing a Paul Lynde impression. It may not have been Anderson’s intention to do Lynde as the gate tender, but it’s pretty exact. Intended or not, it’s an almost uncanny impression of the 60’s TV actor.

There are a couple of moments here that are worth the  $10 admission. One of them is the spoof on the flying monkeys, which may not be "laugh out loud" funny, but holds a remarkable amount of idiosyncratic charm. The other is Jim Owczarski as Ira Hampton in the role of the Wizard . . . easily the cleverest bit in the entire program. Speaking in character as the Wizard, Owczarski speaks through a megaphone that is just big enough to obscure his entire face. The effect is extremely funny, particularly with Owczarski’s timing, which makes startlingly clever use of dramatic pauses . . . very subtle, but very, very funny.

Wisconsin Hybrid Theatre’s
May 17th performance of the Wizard of Oz is already sold-out. This is the last show WHT has scheduled for now, but with two sell-out performances, there’s a good chance WHT will return again soon . . .

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I read online for Alchemists Theatre, that they were doing a LIVE radio show of THE WIZARD OF OZ. As a OZ fan, and as someone who likes Judy Garland....I know that she did a live radio version of of OZ. I thought of attending. But, now that I read that the radio show is their own version, and that they add local jokes and whatever (UGH!) What is going on in this town. Spoof, and original shows written at times in one day....are getting better ticket sales that legit plays. I guess the people who attend drink so much booze that they really do not want to see a talented legit play. I feel sorry for our Milwaukee theater scene that this kind of spoof radio theater, and all these one acts (where of course royalty is not paid)--seem to be the latest so-called legit theater! We either have the Journal where the critic talks daily about NYC theater, or we have shows like one sees at Alchemist. Lets do GOOD Milwaukee theater. !!! I think VIRGINIA WOOFE was a strong challegne....but live up to that challenge and keep up strong artistic work. Do legit shows with legit actors and scripts that have been proven to be success. In all the original plays that keep getting written weekly in this town.....how many have gone any further than the Alchemist, or some local bar. Copyright your shows, and become a real well-known success. Lets get rid of this HAPPY DAYS image and become a real theater town. OK, we have the REP, but lets try to be as good as the REP is not better!!!! You only live once, be a success, and not a one weekend joke!!!

 

Shouldn't you see the show before judging it? Having been in the audience for the first of these shows, I can tell you - it WAS a "talented legit play" and didn't require a drunken stupor to appreciate. I drove up from Chicago on a Sunday afternoon, and it was well worth the time and ten bucks. "Strong artistic work" is lacking in a one-act play? Get over yourself.

 

I'd agree. Theatre's like "The Alchemist" and "The Boulevard" do a great combination of SOLD OUT, original plays, one-acts, "written-in-a-day" shows, fully improvised productions AND so-called "legit" plays such as "Virginia Woolf," "As You Like It" and "Sexual Pervisity in Chicago." Like a really good ice sculpture, sometimes artists aren't striving for "fame" or the ability to keep the same old shows running over and over as a kind of theatre franchise pumping out productions that are the equivalent of theatrical sing-alongs that everyone knows all of the words (and plot points and twists and endings) to. These little theatres in town are doing as good as, if not better, productions than The Rep... and for completely affordable ticket prices. Check out the "legit" shows... they are more frequent than you imply and your ticket sale will help pay the big license fees that these little theatres pay to produce them. And then, on occasion, I'd recommend checking out some of the original work too. It might be better than you think.

 

WOW! Lighten up! Can't anyone do anything original anymore? Get over yourself and what you think you know about classic Wizard of OZ. Do your homework, maybe you'll "get it".

 

I guess not everyone is a friend of Dorothy.... Tell me friend, what plays have you written and performed in lately? What makes you think that this is the only acting work these people have done? I’m taken aback by your steadfast purity. Remember, Judy Garland was a drug addict who married gay men. Do you really think that she would look down her nose at this delightful little group of thespians in judgment…I think not.

 

How disappointing that you're so down on a show you didn't even see. And how down you are on a vibrant local theatre scene. Sorry that your grand visions of "The Thee-et-arr" don't mesh with reality. Did you know that the Theatre Center at which the Rep performs has 4 performance spaces associated with it? They do smaller plays, like "Guys on Ice" that feature "local jokes." Their current production of "Shear Madness" features hometown funnyman John McGivern - known for his "local jokes." And they have a cabaret space with a bar where they perform original material. Why begrudge the success of sold- out, well-reviewed, reasonably priced, family friendly shows to Radio WHT? As far as talent goes, all of these actors have previous experience, and Randall T. Anderson will next be seen in Sunset Playhouse's production of "Noises Off." Oh, it ain't the Rep? Quit being a snob.

 

 
 
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