Feb
27
2009

About RadioMilwaukee's Music Awards

Posted at 05:00 PM

In Section: On Music Posted By: Evan Rytlewski
 
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RadioMilwaukee celebrated two years of making the city's airwaves better and the city's music scene more visible last night with its 2nd Annual Milwaukee Music Awards. The winners were:

Winners of the 2nd Annual Milwaukee Music Awards:

*  Artist of the Year - Kings Go Forth (Listener Choice Award)
*  Song of the Year - "One Day," Kings Go Forth
*  Album of the Year - "Cathedral Square Park," The Lackloves
*  Vocalist of the Year  - Mark Waldoch, The Celebrated Workingman
*  Best New Artist - Kings Go Forth
*  TNT Award (Artist Most Likely to Blow Up) - Kings Go Forth
*  Club DJ of the Year - Kid Cut Up (Listener Choice Award)
*  Earwig Award (Catchiest Song) - "Foundation," The Rusty P's
*  Power "Poptart" Award (Power Pop Song of the Year) - "Latest Flame," Quinn Scharber and the
*  Dance Track of the Year - "Fire," Codebreaker
*  "414 Music" Award (Best In-Studio Performance) - Stealin' Strings
*  Memorable Concert of the Year - Kings Go Forth at Bay View Bash (Listener Choice Award)
*  Album Artwork/Packaging of the Year - "Esque," The Rip Off Artists
*  The 88Nine Award For Music & Community Service - Figureheads

Kings Go Forth were the night's obvious winners, which makes sense. The retro soul outfit is one of the city's most original bands, and also one of its most commercially promising. They've already soundtracked a viral video hit in 2008, and by 2010 they may be soundtracking movies.

Do take the results with a grain of salt, though. The nominees and winners so closely mirror 88.9's tight playlist that I wish they'd named the event the RadioMilwaukee Music Awards instead.

The appeal of 88.9 is that it seldom plays a track loud, edgy or abrasive enough to cause the average John Mayer/A Tribe Called Quest fan's parents to change the station. It's a smart strategy, but by necessity it excludes some of city's best music, which falls well outside the Mayer/Q-Tip comfort zone. You won't hear any punk, metal, hardcore or gritty rap on the station�no dooming Malachi suites, no spastic Pigs on Ice tracks, none of Streetz & Young Deuces' Midwestern crunk. That not one artist who recorded at Howl Street Recordings was honored at the Milwaukee Music Awards should be a red flag that, like the WAMI's, this is an event that honors some but by no means all of the city's music.

Update:Deciderpundit Steven Hyden gives his post-mort, astutely noting that Kings Go Forth won five awards, which is "practically an award per song Kings Go Forth has released so far."

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Noise pollution ain't necessarily rock and/or roll, or, at any rate, "subversive." Certainly not in a context where Loveless by My Bloody Valentine may well be, strangely, the one album seemingly appreciated by all, at least 'round these parts. If I might paraphrase the very great Simon Reynolds in re: Roni Size's Reprazent, luxury might well be(come) the new loud (pace, of course, The New Loud). Of course, we're living in a city where even our techno was at its most widely recognized when at its most metal (Drop Bass), but ... ... but that puts people like KGF and Codebreaker on the perhaps uncutting, albeit sharp nonetheless, edge. Why do they win awards from 88.9? Why does KGF win a couple of their listener-chosen awards as well? Because 88.9 plays them, because 88.9 listeners hear them. The station of course can only be expected to backing up its own aesthetic, and who the hell out here actually hears much of anything BUT what's palyed for and/or at them? See further discussion @ the Decider page linked above ...

 

Meanwhile, "abrasive" hardly abrades like it used to. In all honesty, I've virtually no idea what These Kids Today are lisetning to, but on a recent expedition to the laundromat, where I think I may even have been subjected to Ryan Seacrest's show, I heard everything from perfectly annoying and/or abrasive indeed rap and/or rap metal to what I'd presume were intended, at least, to be country adn/or western records--if only because of the vocal and/or slide guitar twang--but which featured obviously electronic percussion. Ryan *u**i** Seacrest ...

 

 
 
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