Remember when bands cared about albums as an art form? Instead of
slapping together a dozen tracks because, hey, they'll just end up on
everyone's iPod shuffle anyway, musicians considered how their songs
might congeal as a whole or form some sort of dram
Do you look like a partially grow-up character from Charles Schultz’s Peanuts comic strip? Would you like to exhibit your somewhat odd appearance to total strangers onstage in the interest of art? Well, you’re in luck . . . Racine’s Over Our Head Players has announced auditions for its production of Dog Sees God this February. Over Our Head’s production of the edgy modern deconstruction of Schultz’s comic archetypes runs March 27 though April 11th, giving prospective cast members plenty of time to prepare for a February 3rd audition at Racine’s 6th Street Theatre at 7pm.
At the risk of sounding like an experimental/DIY theatre snob, Dog Sees God is kind of an edgy choice for a suburban theatre company. The dark comedy of a group of decades old Peanuts characters who have finally reached high school at some point in the past ten years is very, very grim. If I’m not mistaken, the play made its local debut at the Astor Theater with Raymond Bradford’s RSVP Productions not too long ago. The Over Our Head production should be interesting . . . IF they manage to find the right actors. They’re looking for male and female actors 18 – 40. It's kind of a big cast. They need four men and four women. For more information, call the 6th Street Theatre Box Office at 262-632-6802.

Elvis Costello's frequent collaborator T-Bone Burnett produced Secret, Profane & Sugarcane,
an Americana-inflected album working with country and folk traditions
for images of sawdust floors set to mandolin and fiddle. Costello
intended one s
You wouldn’t expect to find T-bone and sirloin dinners at a place with stool seating and a location next to a shop hawking cell phones and cigarettes. But one of the city’s most evocatively named eateries, ZaZa Steak & Lemonade (4919 W. Capito
The enduring fantasy of older men is that a gorgeous
young woman will fall in love with them, find them sexually arousing
and long to imbibe their wisdom while sitting at their feet. That
fantasy is the spring driving Woody Allen's often-hilarious f
Away We Go, a droll comedy-cum-drama by director Sam Mendes (American Beauty),
perceptively explores the lives of more-or-less ordinary 30-somethings
lost in a world without much meaning. Verona (Maya Rudolph) and Bu


