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Tuesday, April 13,2010
Classical Music/Dance

‘Monsters, Mayhem & Mac ’n Cheese’

Danceworks presents five ‘seriously silly’ pieces

By John Schneider
In art, it’s as great a challenge to capture the ridiculous as the sublime, and sometimes they are two sides of a coin. As the mother of four, choreographer Dani Kuepper has learned to value the absurd as a bond and silliness as a language. In her decade-plus with Danceworks...
Tuesday, April 6,2010
Classical Music/Dance

A Sextet of Quartets

Milwaukeeans treated to music from Philomusica, Fine Arts

By John Jahn
The Philomusica Quartet’s next concert is called “Jewish Expressions,” aptly so since that religious and cultural quality is shared by all three composers on the program...
Monday, March 29,2010
Classical Music/Dance

Elgar and Chopin at MSO

Classical Preview

By Jeff Poniewaz
This weekend’s Milwaukee Symphony concert gives us a chance to hear the magnificent Symphony No. 1 by Edward Elgar (1857-1934), last played here in 1994. The self-taught son of a music shop owner...
Monday, March 29,2010
Classical Music/Dance

‘Pure Dance’ at the Marcus Center

Milwaukee Ballet’s hurricane of gorgeous, complicated dancing

By John Schneider
In my decades of touring with Theatre X, we always said that you can’t begin to know a show until you’ve played it...
Wednesday, March 24,2010
Classical Music/Dance

American Classics—Old & New

Diverse works come to Pabst Theater, Turner Hall Ballroom

By John Jahn
When young composer Aaron Copland (1900-90) witnessed how dancer/choreographer Martha Graham turned his Piano Variations into the “very striking” ballet Dithyramb, he decided to see if they could next work collaboratively on an original stage work. Though she readily agreed, the project wouldn’t materialize for more than...
Wednesday, March 24,2010
Classical Music/Dance

Mixed Results for Florentine Opera’s ‘Elmer Gantry’

By Rick Walters
Last weekend Florentine Opera presented Elmer Gantry, a new opera based on the Sinclair Lewis novel premiered in Nashville in 2007. This venture into Americana is more related to mid-20th-century American opera (Susannah, The Ballad of Baby Doe, Regina) than...
Tuesday, March 16,2010
Classical Music/Dance

Milwaukee Symphony Orchestra’s Emotional American Music

By Rick Walters
Concert programming can be mysterious business. On paper last weekend’s Milwaukee Symphony Orchestra concert appeared to be a hodgepodge mix of American music. In practice it turned out to be an emotional rollercoaster with satisfying, accumulative effect. Aaron Copland’s El Salón México paints a wonderfully colorful picture of a Mexico City dance hall visited by the composer. My guess is that there was limited...
Wednesday, March 10,2010
Classical Music/Dance

Milwaukee Symphony Orchestra’s World-Class Beethoven

By Rick Walters
When listening to classical music, acoustics and where you sit in the hall are almost as important as the performance itself. At the Sunday afternoon Milwaukee Symphony Orchestra concert I was seated in row J on the main floor, about eight or nine rows closer than my regular seats. That doesn’t seem like much, but the difference was enormous. Further back in the hall the sound...
Tuesday, March 9,2010
Classical Music/Dance

America’s 20th Century in Music at MSO

Classical Preview

By John Jahn
When commissioned by the eminent conductor Walter Damrosch for a new orchestral work for his New York Philharmonic, little did composer George Gershwin (1898-1937) know that he would produce one of the most endearing...
Wednesday, March 3,2010
Classical Music/Dance

MSO Treads Beethoven’s ‘New Path’

By John Jahn
Shortly after 1800, Ludwig van Beethoven (1770-1827) told a friend he would soon “pursue a new path” in music. Heretofore his output—though quite distinctly his own—was clearly indebted to the Haydn-Mozart tradition. As great as Beethoven’s early works...
Wednesday, March 3,2010
Classical Music/Dance

Danceworks Puts Hollywood in Motion

By John Schneider
The Danceworks Performance Company’s enjoyable new show “Lights, DPC…Action!,” playing through March 7 at Danceworks Studio Theatre, is such a work of love...
Wednesday, February 24,2010
Classical Music/Dance

McGegan, Almond’s Fresh ‘Seasons’ at MSO

Classical Review

By Rick Walters
About 10 years ago I wrote that Nicholas McGegan should narrate a PBS series on classical music. His witty remarks...
Wednesday, February 24,2010
Classical Music/Dance

‘Action!’ at Danceworks

Dance Preview

By John Schneider
Danceworks Performance Company will present a new concert—“Lights, DPC…Action!”—in its Studio Theatre, 1661 N. Water St., from Feb. 26 through March 7. Artistic Director Dani Kuepper asked the company to explore the collaborative process commonly used in the group’s early years. Taking film genres as inspiration, Danceworks’ resident...
Wednesday, February 17,2010
Classical Music/Dance

John Lill, Soloists Shine at Milwaukee Symphony Orchestra

Classical Review

By Rick Walters
A year and a half since its acquisition, the new Steinway piano at Milwaukee Symphony Orchestra has quickly become a welcome friend. I was again reminded of the instrument’s quality of sound and touch in John Lill’s performance of Tchaikovsky’s...
Wednesday, February 17,2010
Classical Music/Dance

Milwaukee Ballet Showcases ‘Innovative Motion’Milwaukee Ballet Showcases ‘Innovative Motion’

Dance Review

By John Schneider
The artistry and range of the Milwaukee Ballet was vividly displayed in “Innovative Motion,” a showcase of works by three generations of choreographers. With little narrative to follow, I could focus on how well the dancers work together and how different they are. The cheers at the final curtain were for them at least as much as for the choreographers, who must have been deeply gratified...
Tuesday, February 16,2010
Classical Music/Dance

MSO’s ‘Four Seasons’ in a Single Evening

Classical Preview

By John Jahn
When you see that Nicholas McGegan is the guest conductor of a Milwaukee Symphony Orchestra concert, you can expect that the Baroque-through...
Monday, February 15,2010
Classical Music/Dance

Chamber Music Beautifully Phrased

Classical Review

By Rick Walters
Chamber Music Milwaukee presented an engaging concert last Thursday evening at the Zelazo Center at UW-Milwaukee. As is usually the case with CMM, the program was a potpourri of various works and UWM faculty performers, enlivened by the presence of soprano Susanna Phillips, a guest artist. Phillips has a captivating, creamy, clear lyric voice. She is currently singing a leading role in Donizetti’s L’elisir d’amore at Lyric Opera of Chicago. A highlight...
Thursday, February 11,2010
Classical Music/Dance

Present Music’s Mixed Bag at Turner Hall Ballroom

Classical Review

By Rick Walters
As is often the case with Present Music, the well-attended concert on Saturday night at Turner Hall Ballroom was a mixed bag, roaming from contemporary chamber works to...
Wednesday, February 10,2010
Classical Music/Dance

Milwaukee Ballet’s ‘Innovative Motion’

Dance Preview

By John Schneider
The accomplished dancers of the Milwaukee Ballet are the unifying thread to three radically different new works in a program called “Innovative Motion” at the Pabst Theater, Feb. 11-14. Salvatore Aiello was the artistic director and choreographer for the North Carolina Dance Theatre before his death in 1995. His work, especially Clowns and Others (1978), is steadily gaining recognition under the care of his ballet master, Jerri Kumery...
Wednesday, February 3,2010
Classical Music/Dance

Plenty to Like in Skylight Opera’s ‘Marriage of Figaro’

Classical Review

By Rick Walters
Distinguished opera composer Dominick Argento once said to me, “The characters in The Marriage of Figaro are so rich, in both text and music, that I know them better than I know my own family.” There are plenty of reasons to see the new production of Mozart’s opera (sung in English) at Skylight Opera Theatre. Bill Theisen’s direction keeps the characters clear and the complex story moving forward...
Tuesday, February 2,2010
Classical Music/Dance

Quartets Through the Ages With Fine Arts Quartet

Also: Frankly Music presents Brooklyn Rider

By John Jahn
Out of necessity and limited resources true creation can emerge. Witness the case of a young Joseph Haydn (1732-1809) who had but two violinists, a violist and cellist at hand to fulfill the desire of a royal patron for new music. Haydn essentially became the founder of the string quartet—one of the fundamental genres of Classical Music...
Tuesday, January 26,2010
Classical Music/Dance

Romantic Russian Quartets at Wisconsin Conservatory of Music

Classical Preview

By John Jahn
As a creative artist, Alexander Borodin (1833-1887) was perhaps the most accomplished of the late-19th-century Russian nationalist composers; his remarkable gifts were evident in nearly every work he wrote. Alas, there aren’t very many, for composing was always merely his part-time job. Indeed, it often took years for works to be finished...
Wednesday, January 20,2010
Classical Music/Dance

‘In Paradisum’ With MSO

Classical Preview

By John Jahn
The effect of location on a composer’s works cannot often be overstated. Witness the output of late-Renaissance composer Giovanni Gabrieli (1553-1612), who succeeded his uncle (and fellow composer) Andrea Gabrieli as music director of Venice’s St. Mark Cathedral in 1586. Therein, he purposely...
Wednesday, January 20,2010
Classical Music/Dance

MSO, Johannes Moser’s Intriguing Shostakovich

Classical Review

By Rick Walters
The dark, cold winter has always been a good time for listening to substantial music, such as the Milwaukee Symphony Orchestra concert heard last Saturday night. Johannes Moser...
Tuesday, January 12,2010
Classical Music/Dance

Milwaukee Symphony Orchestra: More Cowbell!

Classical Preview

By John Jahn
The works on the upcoming Milwaukee Symphony Orchestra concert all stem from the tumultuous 20th century, descending back in time as the program progresses. In 1991, Scottish composer James MacMillan (b. 1959) composed his...
 
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