Will Precious be this year’s Slumdog Millionaire and sweep the
Academy Awards? It’s a daunting challenge indeed. However, both films came out
of nowhere and were greeted with an enthusiastic response on the festival
circuit. Precious won the Audience
and Grand Jury Awards at the Sundance Film Festival as well as People's Choice
Award at the Toronto Film Festival. It evoked a 20-minute standing ovation at
the prestigious Cannes Film Festival.
Precious is adapted from the novel, Push by the author Sapphire. Set in a New York City ghetto, its protagonist is a morbidly obese, functionally illiterate African-American adolescent. She has been the victim of chronic sexual abuse by both of her parents. These incestuous unions have produced two children, including one who is afflicted with Down syndrome.
The film’s
director, Lee Daniels had read the book years ago, before producing the Academy
Award-winning Monster’s Ball. It made
a profound impression, “The book stuck to me like hot grits. It was one of
really one of those things that left me gasping. I wanted to see it on the
screen. I knew that it would translate well to screen.”
Precious stars newcomer, Gabourey Sidibe, in the lead.
Daniels, who previously worked as a casting agent, recounted, “We were
diligently searching. I interviewed 400 girls for the role. I was going
to McDonald’s, to Rite-Aid, to movie theaters looking for a girl to portray
Precious. Gabby came in and just did this gut-wrenching, breathtaking
audition.” Daniels had an epiphany, “With Gabby, the character wasn’t her. She
was acting. Gabby isn’t Precious If I had used one of the girls who was really
Precious, then I would have been exploiting that girl and that’s not something
that I wanted to do.”
Daniels spoke
of growing up on the mean streets of inner city West Philadelphia, “There were
many colorful people in my life. Over the years, I have put them on the screen.
“He acknowledged, “I didn’t have a rosy childhood. Some not so nice things
happened. But I think that it made me a better man and a better person and a
better human being.”
To
escape his bleak circumstances, Daniels often engaged in fantasies, “If I had
stayed in my world and I didn’t escape, I don’t know how I would have ended
up.”
Daniels draws
unexpectedly strong performances from his cast. In addition to first-timer,
Sidibe in the lead, the film also features comic actress, Mo' Nique, in an
atypical role as well as Lenny Kravitz, and Mariah Carey, both of whom are best
known as singers. Daniels has an unconventional directorial technique, “My
approach is a very unique one. I don’t have a rehearsal period. My rehearsal
period really is a therapy session. It’s me. It’s my vision. Shut up and listen
to me. This is my story. This is my pain. This is my drug history. This is my
sex. This is what literature I like. These are my political beliefs. This is
the religion I’m into, my spiritual life. This is what I like artistically.
It’s really all about me.”
How does this enhance the acting? According to Daniels, “What happens is that it subliminally puts them in a place of talking all about them. We are one. We become best friends. I can’t work with an actor unless I am on the same not page, not sentence, but same syllable. “ He insisted, “The actors know what I want.”
Asked about the
Oscar prospects for Precious, Daniels
playfully stuck his fingers in his ears and disclaimed, “La-la-la.” He turned
serious and explained, “I can’t worry about what other people think I did. If I
did, then I’d be in Hollywood. I have to think about what I want to see.
It’s not often what America wants to see. It’s not often politically correct.
It’s not that I don’t care about the audience. I do care about the audience.
But I have to tell what’s in my soul-the truth that I know it to be.”







This was such a heart-rending movie. Very much deserves the Oscar, especially in light of the other options for 2009. I hope the Avatar-madness does not carry the day.
Avatar is not a reasonable candidate for the Best Picture Oscar. Special effects, sure. Not Best Picture or Best Director.
AVATAR's the Best Picture frontrunner right now after winning the Golden Globe, although JULIA deserves to win.