Thursday, Feb. 21
Mahjongg w/ These Are Powers, Juiceboxxx and Kvbitch @ Mad Planet, 9
p.m.
Like so many electronic- and dance-music collectives, the Chicago group
Mahjongg is difficult to label. Their new, second album, Kontpab, blends a host
of electronic and synthesized textures and sounds, but it also prominently
features a strong whiff of Afro-beat rhythms, proving that blogfavorites Vampire
Weekend aren’t the only ones mining this very fertile musical soil. Live,
Mahjongg uses an on-stage computer to augment their assorted musicians and
vocalists, quickly changing between sounds to keep the party on its toes.
Bon Jovi w/ Daughtry @ The Bradley Center, 7:30 p.m.
Although the ’90s largely killed the commercial hopes of
hyper-polished, hard-rock bands of their ilk, Bon Jovi weathered the bad times,
and although these days the group doesn’t move albums like they did in their
late-’80s heyday, they still release No. 1 records without breaking a sweat.
Their latest, Lost Highway, is a straight-faced country-rock album
featuring unlikely duets with LeAnn Rimes and Big & Rich, and sure enough,
it topped the charts. Despite an embarrassing loss to instant-joke Taylor Hicks,
hard-rocking “American Idol” hopeful Chris Daughtry, who opens with his band,
Daughtry, has proven himself to be a commercial powerhouse in his own right. His
debut album, Daughtry, is one of top three best-selling “Idol” albums.
Friday, Feb. 22
Nicole
Atkins & the Sea w/ Testa Rosa and Russell Lewis @ Cactus Club, 10 p.m.
An experiment in genre-bending, Nicole Atkins’ latest album, Neptune
City, incorporates influences well beyond the requisite Springsteen-styled
Americana expected from a New Jersey singer-songwriter. The record also shows
the 28-year-old’s roots in psych-folk, chamber-pop and alternative. Atkins
refers to her own work as “pop-noir” and understandably so, given her public
reverence for the works of David Lynch and Angelo Badalamenti.
Todd Snider w/ Kevn
Kinney @ Shank Hall, 8 p.m.
The divide between ’90s alt-rock and alt-country was never a
particularly contentious one, but it was never better captured than on Todd
Snider’s 1994 sendup, “Talkin’ Seattle Grunge Rock Blues.” Since 1994, Snider
has pumped out respectable offerings on both independent and major labels, most
of them minor affairs filled with his signature, sardonic folk songs. After a
period in which he found a niche releasing four albums on John Prine’s Oh Boy!
label, Snider released The Devil You Know in 2006. He is still touring behind
that record, but continues to incorporate new material into his live sets, which
usually include little more than a guitar, a harmonica and ample stage banter.
Limbeck w/ John Ralston,
Juniper Tar and The Candliers @ Turner Hall Ballroom, 7 p.m.
When Orange County’s Limbeck hit the scene in 2000, they leaned heavily
on nondescript emo and soft-punk, but subsequent albums have seen the band
transform into a more twangy, melodically driven act. With 2005’s Let Me Come
Home and 2007’s self-titled disc the band fully embraced the conventions of
alt-country. Opener John Ralston, of Florida, specializes in Dashboard
Confessional-styled heart-on-sleevery, but more interesting are a pair of local
warm-up acts. Juniper Tar have mastered the art of clean, catchy and
gimmick-free Americana—tonight they’ll be celebrating the release of their
latest album, To The Trees—while The Candliers kick up a messy, celebratory
sound that nods to the cheery music of yesteryear.
Saturday, Feb. 23
Oscar-Nominated Short Films @ The Times Cinema, 7 p.m.
Let’s
face it: Unless you have the time and disposable income to fly to film festivals
around the world, it can be difficult to see all the selections that the Academy
nominates for their short-film category.
Thankfully, this program, which
screens at the Times Cinema from Feb. 22 through Feb. 28, makes it easy. Three
sweet comedies from Italy, France and Belgium are book-ended by loftier (and
lengthier) dramas from Denmark and the United Kingdom.
Sunday, Feb. 24
Smucker’s Stars on Ice @
Bradley Center, 4 p.m.
Among the titular stars
headlining this skating tour are Sasha Cohen, Todd Eldredge, Yuka Sato, Jamie
Sale and David Pelletier—and since the show is sponsored by Smucker’s, it’s got
to be good.
Monday, Feb. 25
Division Day w/ The A-Sides and King’s Horses @ Mad Planet, 9 p.m.
Division Day’s brand of melodic, introspective indie/power-pop can be a
bit disorienting—just imagine the Dismemberment Plan covering a meditative
Coldplay piano track. At their best, however, on tracks like the hypnotic ballad
“Colorguard” from their debut full-length Beartrap Island, the group strikes the
difficult balance between jaunty and affecting, even if they never quite live up
to their Elliott Smith namesake.
The group is following up their
blogosphere-touted debut with a covers EP, so it’s a safe bet that a few numbers
from that upcoming release will work their way into tonight’s set.
Tuesday, Feb. 26
Avenue Q: The Broadway
Musical @ Uihlein Hall, 7:30 p.m.
Often billed as an explicit homage to PBS’ long-running kids series
“Sesame Street,” this Tony Award-winning show centers on a group of puppets as
they manage life as twenty- and thirty-somethings. Vulgarity and adult
situations abound. Originally staged in 2002, Avenue Q is by no means the first
show to use puppetry to explain adult situations, but it is far beyond all the
rest in terms of entertainment value and pure musical value. On tour since last
July, the show makes its first stop in Milwaukee and will run through March 2.
Wednesday, Feb. 27
Sia w/ Har Mar Superstar
@ Turner Hall Ballroom, 8 p.m.
Beneath her deceptively small frame and her little-girl haircut, singer
Sia boasts a mighty powerful set of pipes, the kind that light torch songs. She
built up her resume through her chilled-out work with Massive Attack and, most
prominently, Zero 7, but her strong new solo release, Some People Have Real
Problems, trades in downbeat electro for something more organic and feistier
(or, specifically, Feist-ier.) Concertgoers may recognize opener Har Mar
Superstar as that unfunny novelty act they booed off stage back in 2003. Like a
hack comedian with too much time and tenacity for his own good, he’s stubbornly
stuck to the same joke, belting out sexed-up send-ups of R&B music that are
supposed to be funny because he’s a portly white guy. Get it? It’s funny because
of racial expectations!
Fall 2008 Human Trafficking Awareness Week
Become Aware and Take Action
Come Join Trafficking Ends with Action for Fall 2008 Human Trafficking Awareness Week. Monday Dec. 1st "Trafficking in South East Asia." Tuesday Dec. 2nd "Human Trafficking: Two Sides of the Same Coin." Thursday Dec. 4th "Gina Allende Speaks on Human Trafficking in Wisconsin." All events will be held in the UWM Fireside Lounge starting at 7pm an