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Thursday, October 15,2009

Les Paul’s Guitars

By David Luhrssen
 
It’s hard to credit author Tony Bacon when he writes, “there are still fans…who are unaware that Les Paul is not only a name emblazoned in script lettering on the head of each one of these guitars, but also a real person.” The guitar historian must have written those words for the first edition of The Les Paul Guitar Book back in 1993 and forgot to alter them for the new 3rd edition (published by Backbeat Books, an imprint of Milwaukee’s Hal Leonard). Years before his death in 2009, the Wizard of Waukesha had regained much of the visibility he once lost in the music world. Anyone who cared about electric guitars surely knew that he maintained a weekly gig and continued to tinker in his workshop.

Bacon provides a brief but full history of Paul’s multiple accomplishments as a country, jazz and pop musician, along with his role in developing multi-track recording and—key to this book—the solid body electric guitar. The author also packs his account with a succinct history of the Gibson company that manufactured Paul’s visions, Gibson’s competitors and the field of guitar collecting. The latter was spurred in the ‘70s by rock stars seeking particular, almost magical, sounds from their instruments.

Many testimonials are collected. “I’ve traced a hell of a lot of rock’n’roll, little riffs and things, back to Les Paul. He’s the father of it all,” said Jimmy Page. “If it hadn’t been for him, there wouldn’t have been anything, really.”

Page is among the pantheon of guitar greats pictured in Bacon’s book—along with Eric Clapton, Freddie King, Keith Richards and many others. For gear heads, there are guitar photo spreads, a roster of serial numbers, a model chronology and other minutiae.

 

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