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Tuesday, September 22,2009

Porcupine Tree

The Incident (Roadrunner)

By David Luhrssen
 
Since their emergence in the ‘90s, Porcupine Tree has been a prog rock band that transcended the genre’s conventions and clichés. The Incident, their new two-CD set, suggests that Peter Gabriel’s Genesis provided them with a road map—their moody chamber rock and interconnected song suites could have descended from Selling England by the Pound, even if they sound nothing like Genesis.

Porcupine’s guiding spirit, Steven Wilson, seems inspired by prog rock’s original vision of a vast sonic canvas of possibility, rather than the tight corner in which many prog bands painted themselves. The Incident absorbs echoes of new wave and post-punk, trip-hop production, even head-banging metal, into a sound recognizably their own. And like the best early prog bands, there is a sense of intelligence at work. The lyrics and the music seem to be onto something beyond the everyday.

 

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Been a fan for a few years and The Incident is a great addition to the PT discography. If you were expecting FOABP Part 2, then you'll be a little disappointed. The Incident, in the sense of "progressive", has progressed. A whole bunch of new influences have emerged, however still contains the elements that make it a PT album. The first CD, contains the song-cycle. It's not one song, but 14 songs that flow into each other. Think "Dark Side Of The Moon" if you need an example. It flows nicely, making 55 minutes of songs feel more like 30 minutes. The second CD would be the traditional EP, however this time it comes with the main album. If you are new to PT, just think, you have about 20 years of great albums to catch up on.

 

 
 
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