Dylan's songs broadened rock's thematic and expressive range, directly or indirectly inspiring virtually everyone since the early '60s who wanted rock to be more than party music. As the global symbol of reggae and arguably its most gifted songwriter, Marley familiarized the rhythm of Jamaica and made the music a touchstone for the Third World's struggle for dignity.
Much-perhaps too much-has been written about both musicians. But a pair of new titles in a smartly-produced series from Taschen, Music Icons Marley and Music IconsDylan, encapsulates many key facts of their careers in decade-by-decade chronologies aglow with telling photographs. Each book is prefaced with a forward from authors Luke Crampton, Dafydd Rees and Wellesley Marsh that puts the artists in perspective and concluded with discographies and lists of awards and honors.
Dylan and Marley buffs will find no new insights or information, but for casual fans, the books will serve as succinct overviews. For once, the mishandled and misunderstood word "icon" comes close to being meaningful when applied to two of the last century's most influential songwriters.

anonymous


