Thursday, April 9
Brandi Carlile @ The Pabst Theater, 8 p.m.
Like
so many of her adult-contemporary peers who owe much of their name
recognition to appearances on the “Grey’s Anatomy” soundtrack, Brandi
Carlile plays melancholic but melodious folk-pop. She distinguishes
herself, though, with an unusually deep love of authentic country,
which infuses her songs in both sound and spirit. She followed-up her
2005 self-titled debut, which announced her as a bold disciple of Jeff
Buckly, with 2007’s The Story, an unusually stark, somber affair
produced by T-Bone Burnett.
David Sedaris @ The Riverside Theater, 8 p.m.
It
took David Sedaris a few years to find his niche. When the whirlwind
success of his “SantaLand Diaries” radio essay afforded him the chance
to write a book, he released 1994’s Barrel Fever, a collection divided
between satirical short stories and autobiographical essays. The
essays, of course, generated more response than the fiction, so Sedaris
refined his approach, focusing mostly on memoirs for a string of
best-selling follow-up collections, establishing the wispy humorist as
one of the literary world’s marquee names. Where most authors appear at
bookstores, Sedaris sells out theaters and auditoriums. His latest
collection, When You Are Engulfed in Flames, focuses largely on
Sedaris’ adult life and his relationship with his longtime partner,
Hugh.
Alejandro Escovedo and Carrie Rodriguez @ Turner Hall Ballroom, 8 p.m.
“I
died a little today/ I put up a fight,” Alejandro Escovedo sang on
2006’s The Boxing Mirror, bluntly detailing his bout with hepatitis C.
The disease almost killed the veteran Texan songwriter, but it also
provided the muse for his best album yet. Backed by moaning cellos and
violent violin stabs (the stamp of producer John Cale), Escovedo
delivered a muscular set of scorching roots rockers, sincere pop
confessions and haunting, noir ballads with the vigor of a man half his
age and with twice the immune system. Escovedo’s latest, 2008’s Real
Animal, is marked by a similar moxie. Fiddlin’ opener Carrie Rodriguez
received a emphatic endorsement in the New York Times from roots hero
Lucinda Williams, though her twang-laden, chicken-fried songs are more
overtly country than Williams’ work.
Friday, April 10
Milwaukee Brewers vs. Chicago Cubs @ Miller Park, 3:05 p.m.
There
will be peanuts and Cracker Jack at the Milwaukee Brewers’ home opener.
Unfortunately, there will also be Cubs fans. Lots and lots of Cubs
fans. With the Brew riding high off their first playoffs appearance in
a quarter century, though, hopefully even our profane, entitled
neighbors to the south won’t be able to rain on this parade.
High Lonesome @ Linneman’s Riverwest Inn, 9:30 p.m.
Like
the Old Crow Medicine Show and Hank Williams III before them,
Milwaukee’s High Lonesome brings an “the older the better” mentality to
country and bluegrass, reviving the strident sounds of early Americana
without playing them up for kitsch. The trio’s reverence for outlaw
culture would allow them to fit in with the modern cow-punk movement,
but the music itself is mostly untainted by punk. Save perhaps for the
hint of Paul Westerberg and Dave Pirner’s Minnesotan growl that slips
into singer Noah Tyson’s voice, this trio plays their country as
straight as the old pioneers did.
Saturday, April 11
Coco Montoya @ Turner Hall Ballroom, 8 p.m.
When
John Mayall reformed his long-defunct Bluesbreakers in the 1980s
without Eric Clapton, Peter Green or Mick Taylor, but made up for its
lack of star power with the sheer force of new guitarist Coco Montoya,
a one-time drummer for Albert Collins who was hungry to prove himself
on the ax. Montoya went solo in the ’90s, releasing a string of albums,
which have found the guitarist moving away from traditional blues in
favor of heavier rock sounds and, on his most recent disc, 2007’s Dirty
Deal, a slick R&B sound indebted to Robert Cray.
The All-American Rejects w/ Shiny Toy Guns @ The Rave, 7:30 p.m.
The
All-American Rejects seem to build momentum with each single. The
quartet’s first, “Swing, Swing,” propelled the group to emo-pop stardom
in 2003 and “Dirty Little Secret” further cemented them power-pop group
with a knack for the charts in 2006. Their latest and most popular to
date, “Gives You Hell,” from 2008’s When the World Comes Down, breaks
from the previous single’s uptempo melodies for slower progressions and
vocal harmonies, while playing up the fistpumping, arena-rock
theatrics. Openers Shiny Toy Guns, a stylish synth-pop band signed on
the strength of their Myspace following, similarly upped their catchy
2006 hit “Le Disko” with last year’s “Ricochet!”
Fashion Revolution 2009 @ Milwaukee Art Museum, 8 p.m.
The
Milwaukee Art Museum rolls out the catwalk in its Baumgartner Gallerias
for this annual event, now in its third year. More than 10 Midwestern
fashion designers have infused Egyptian, Indian, Russian and British
forms with American styles, so the designs promise to be particularly
diverse. Hip-hop artist Firey Phoenix and the local dance troupe REMIX
kick off the show, proceeds from which go to The Fashion Revolution
Scholarship fund of Milwaukee, which grants collegiate scholarships to
art and fashion students.
In Vanda’s Room @ The UWM Union Theatre, 8 p.m.
With
an urban-slum setting similar to Danny Boyle’s Oscar-winning phenomenon
Slumdog Millionaire, only without any feelgood carrot at the end of the
string, Pedro Costa’s three-hour drama In Vanda’s Room paints a realist
picture of the Lisbon ghetto, Fontainhas, and some of its heroine
shooting inhabitants. Equipped with only a small video camera,
which remains static during each shot, Costa filmed more than 100 hours
of footage, editing them down into a final product that often feels
more like a documentary than fiction. (Also April 12, 5 p.m.)
In Vanda’s Room
Sunday, April 12
English Beat @ Turner Hall Ballroom, 8 p.m.
It’s
an unwritten rule that if a band exists on- and off-again long enough
without making any new music, eventually that band will splinter off
into two bands touring under the same name. At least the Beat, the
popular-’80s ska band, were well positioned for the split, since the
group had two vocalists: Dave Wakeling, the Brit-pop frontman, and
Ranking Roger, the rastafied crooner. Wakeling now fronts the American
version of the Beat, called the English Beat, which continues to tour
the nostalgia circuit, much to the delight of young ska fans, while
Roger has carried the Beat torch in the U.K. Relations between the two
factions remain icy, though Wakeling insists the door is always open
for a full reunion.
Tuesday, April 14
John Scofield and The Piety Street Band @ Shank Hall, 8 p.m.
[Please note: The print version of this feature incorrectly listed the date of this concert as Wednesday, April 15.] Jazz
guitarist John Scofield has built up a remarkable resume over the
years, collaborating with musicians like Phil Lesh, Herbie Hancock,
Medeski Martin & Wood and Miles Davis. Playing on three albums with
Davis in the ’80s opened doors for the oft-experimental guitarist,
while his periodic collaborations with Medeski Martin & Wood (and
the members’ many side projects) over the past decade has endeared
Scofield to the loyal (and lucrative) ears of jam-music fans.
Scofield’s latest studio record, Piety Street, his 36th John Scofield , blends southern gospel rhythms and New Orleans blues. His latest band includes Jon Cleary, George Porter, Jr. and former Beach Boys drummer Ricky Fataar.
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