Insurgent Theatre took its recent production on the road punk-style, performing Paint the Town, a mordant tale of a beautiful young revolutionary who is freed from her family’s grip by a terrorist, in small clubs and venues around the country, even sharing some bills with musical acts. They celebrate their return to Milwaukee with a homecoming performance of the play tonight at 10 p.m. at Stonefly Brewery, supported by Peter J. Woods, a Milwaukee noise artist who won high praise from Thurston Moore, one of the country’s most esteemed noise aficionados. Also on the bill is White, Wrench, Conservatory, a band that spins a particularly moody brand of shoegaze from an accordion, a beat-up Hammond organ and ample effects pedals.
Remember when bands cared about albums as an art form? Instead of
slapping together a dozen tracks because, hey, they'll just end up on
everyone's iPod shuffle anyway, musicians considered how their songs
might congeal as a whole or form some sort of dram
Elvis Costello's frequent collaborator T-Bone Burnett produced Secret, Profane & Sugarcane,
an Americana-inflected album working with country and folk traditions
for images of sawdust floors set to mandolin and fiddle. Costello
intended one s
You wouldn’t expect to find T-bone and sirloin dinners at a place with stool seating and a location next to a shop hawking cell phones and cigarettes. But one of the city’s most evocatively named eateries, ZaZa Steak & Lemonade (4919 W. Capito
The enduring fantasy of older men is that a gorgeous
young woman will fall in love with them, find them sexually arousing
and long to imbibe their wisdom while sitting at their feet. That
fantasy is the spring driving Woody Allen's often-hilarious f
Away We Go, a droll comedy-cum-drama by director Sam Mendes (American Beauty),
perceptively explores the lives of more-or-less ordinary 30-somethings
lost in a world without much meaning. Verona (Maya Rudolph) and Bu
