In a
Texas town so small that the one bench near the bus depot is reserved
for whites only, an all-black college exists under the watchful
scrutiny of the local authorities. In 1935, the very idea of black
college graduates was a reproach to the endemic racism of the
surrounding society. Wiley College is a slender tree of learning
cultivated by distant Northern philanthropists. It’s the reallife
setting for The Great Debaters, a film loosely drawn from true events.
An admirable spirit of social uplift animates The Great Debaters. In
his second movie as a director, Denzel Washington also stars as Wiley’s
debate coach, Melvin Tolson, a striver for raising the educational
level of his people. He is an electrifying teacher, inspiring and a
little frightening in his intensity, at once funny and angry, ready to
pick apart any lapse in logic that passes within his hearing. He has
the radical idea that Wiley’s debate team should compete against and
defeat its counterparts from white colleges, even from Harvard.
The
actual debate in which Wiley defeated its white opponents took place
against USC, not the loftier Harvard, and probably didn’t include the
excruciating moments of melodrama injected like emotional steroids into
a story that needs no artificial stimulants to be gripping.
Occasionally the tone of The Great Debaters is as anachronistic
as the 1960s globe on Tolson’s desk. Did the professor have the
foresight to purchase a globe from 30 years in the future, showing the
map of post-colonial Africa? Likewise, Washington imagines heavily
armed Texas Rangers backing down before a small, nonviolent crowd of
protesters. What could have happened in 1965 was less plausible in
1935. On the other hand, much of The Great Debaters is true to
the time and place it depicts. Tolson is a firebrand who teaches
Langston Hughes, scrawls “Revolution” on the chalkboard and slips away
under the moonlight for the dangerous business of organizing black and
white sharecroppers into a tenant farmers union. He represents one of
the two poles African-American leaders aspired to in those years:
W.E.B.
DuBois, who believed blacks must advance with heads
held high along the path of intellectual excellence and social
engagement. Tolson’s professorial colleague at Wiley, James Farmer
(played with ponderous dignity by Forest Whitaker), stands for Booker
T. Washington, who preached that blacks could only advance with caps in
hand in slow, accommodating steps. Although Tolson is meant to be the
hero, both positions are accorded respect and sympathy.
Farmer
is at the center of the film’s most memorable and illuminating scene.
While driving down a narrow country lane with his wife and children,
Farmer accidentally kills a hog running across the road. White pig
farmers emerge from their nearby hovel, displaying guns, demanding
recompense and subjecting Farmer to petty humiliations to degrade him
in front of his family. The professor is forced to endorse his paycheck
and hand it over to his tormentors.
In much of the United States, even the
most respectable black professional lived within a precarious safety
zone. The pig farmers, as their children watched and grinned,
demonstrated to themselves that despite their poverty and low social
standing, they could lord it over even the highestranking African
American.
Unlike Tolson, Farmer is a patient man. But Farmer
certainly would join with Tolson’s rousing call to his students,
reminding them that the slave owners wanted to reduce blacks to beasts
of burden robbed of their minds. Education is one way out of ignorance
and Tolson didn’t mean four-year degrees in hotel management or
business administration. He sought to furnish minds with knowledge
sharpened by rhetorical skill. It remains an underachieved goal
nowadays despite the proliferation of college programs. This is true
not only for the underclass who can least afford to accept being
marginalized and manipulated, but of mainstream America, fast becoming
a society of button punchers and text messengers hard-pressed to form a
mental picture of the world around us.







