Home Concert Reviews  Death Cab for Cutie w/ Jack’s Mannequin @ The Eagles Ballroom
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Tuesday, December 9,2008

Death Cab for Cutie w/ Jack’s Mannequin @ The Eagles Ballroom

Dec. 2, 2008

By Evan Rytlewski

Subdued and sentimental, Death Cab for Cutie remains an odd fit for the increasingly brash realm of alternative radio, but the band has nonetheless forged an unlikely home there, offering a whiff of bookish college-rock in a format otherwise marked by the stink of Seether and Shinedown.

The band is little changed for all the radio play. They still write whimpering little tunes that don't so much build to grand payoffs as they do crawl to their natural conclusions. Where other songs explode, theirs smolder precisely until their fuse is fully extinguished. "I Will Possess Your Heart," the nearly nine-minute lead single from their latest album, Narrow Stairs, pours water over the ashes, just to be safe. Slow and hypnotic even in its leaner radio edit, it was just about the least commercial single to make a dent on commercial radio this year.

Though over their last three albums the band has amassed enough big, wonderful moments to keep a crowd singing along, their concerts are hardly the communal experiences expected from marquee rock shows. As if mounted to their designated position on stage, each band member twisted and flailed in place self-consciously (save for bassist Nick Harmer, who tottered about and thrashed enthusiastically, as if in his head he was listening to a song that rocked considerably harder than the one he was performing). The band barely made eye contact with each other, let alone the crowd.

"I need you so much closer," Ben Gibbard sang in the climactic, set-closing moments of "Transatlanticism," while his body language suggested just the opposite. The crowd followed his lead, swaying with arms folded in shared solitude.

Gibbard's reticent demeanor stood in amusing contrast to the cheerful antics of Andrew McMahon, the showboating heartthrob behind piano-rock openers Jack's Mannequin. His rock-star aspirations undisguised by a transparent veneer of emo bashfulness, McMahon belted out his bold and pouty tunes as he thrust his pelvis into his piano and smiled boyishly, eliciting shrieks from hordes of young followers who no doubt yearned to be that piano.

Posted at 12/18/2008 
 
While I agree with Josh that comparing this Death Cab to Seether is unfair, I also think Death Cab is overrated and quite boring. For Josh to say that this band is something incredible is incredibly ignorant, and I imagine he is too young to have a true taste for music. Death Cab is perfect example of the "cool irony" that defines hipster music right now. Uhhhggggg... i can't stand it.
Posted at 12/17/2008 
 
WOW. Where do I start? This is one more example confirming my lost faith in Milwaukee's music scene. The fact that you would even utter the names of such typical bands in Shinedown and Seether. I wonder if you could have a more biassed point of view. I mean,really what qualified you to write an article on a band that hasn't been bent over by the "popular music industry"? I'm going to go out on a limb and say you probably listen to anything that is being pumped into your trained ears day after day. To even be able to stomach the typical scratchy yells of Shinedown (clearly sung like that in an attempt to prove he is still a man) and the fake fronts they all put on to try and sent off the vibes that they are real tough guys. You're clearly just another washed up writer with no more material that you have to try and reassure the fact that you're still a creative man by knocking the "emo" scene. I am so through with listening to Milwaukee critics knock bands because they don't sound like what they are used to hearing, so they through them off by generalizing them as "emo" . I, personally am not a fan of girly bands either, but if you can honestly say that you would rather listen to a fake "tough man front" , than to real lyrics and original melodies, than you really are exactly where the mainstream ants you to be. You should put writing down until you realize you ears are trained for certain frequencies and you can't hear anything that you're not expecting to hear. Open your ears, and here's a thought, maybe even your mind. It might be tough for you at first, but in the long run it will be better for Milwaukee, being that you hold the mic for all of our robot ears to hear. josh
 
 
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