The promoters of the eccentric 7 p.m. Mondo Lucha Wrestling/Variety Show tonight at the Turner Hall Ballroom are wisely betting that Milwaukeeans won’t be able to resist its wry and lurid combination of irony, kitsch and breasts. At the top of tonight’s freak show is a Lucha Libre Mexican wrestling smackdown, complete with the requisite masks (and hopefully some semblance of cultural sensitivity), but there’s ample sex appeal on the bill to balance out the sweat and testosterone, including Milwaukee’s adorably Bettie Page-ish burlesque troupe The Alleycat Revue and two St. Louis acts, the innuendo-spouting St. Louis strip-teaser Lola van Ella and the pole-dancing duo Gravity Plays Favorites. Adding music is Milwaukee’s signature rockabilly band, The Uptown Savages, and the city’s latest old-timey aficionados, Dead Man’s Carnival.

Remember when bands cared about albums as an art form? Instead of
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Elvis Costello's frequent collaborator T-Bone Burnett produced Secret, Profane & Sugarcane,
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for images of sawdust floors set to mandolin and fiddle. Costello
intended one s
You wouldn’t expect to find T-bone and sirloin dinners at a place with stool seating and a location next to a shop hawking cell phones and cigarettes. But one of the city’s most evocatively named eateries, ZaZa Steak & Lemonade (4919 W. Capito
The enduring fantasy of older men is that a gorgeous
young woman will fall in love with them, find them sexually arousing
and long to imbibe their wisdom while sitting at their feet. That
fantasy is the spring driving Woody Allen's often-hilarious f
Away We Go, a droll comedy-cum-drama by director Sam Mendes (American Beauty),
perceptively explores the lives of more-or-less ordinary 30-somethings
lost in a world without much meaning. Verona (Maya Rudolph) and Bu


