Dolly Parton and Vince Gill contribute backing vocals ("Gold"), Tracy Chapman lends an original ("All That You Have Is Your Soul") and Merle Haggard gets covered ("Kern River") as Harris returns to her bare-soul songwriting roots and pastoral '70s production (aided by none other than her '70s-'80s producer, Brian Ahern).
Completely acoustic-based and largely dobro-fueled, the sleepy tales of brokenhearted Americana and hard-time drinking take their time, simmering in autumnal murmurs. Other than the continued miracle of Harris' voice, what might be most singular about the album is the maturity so glaringly absent from contemporary country music. And as a soundtrack, it's a rarity well suited for pickup truck rides on the back roads of blue states.
robert zimmerman

Remember when bands cared about albums as an art form? Instead of
slapping together a dozen tracks because, hey, they'll just end up on
everyone's iPod shuffle anyway, musicians considered how their songs
might congeal as a whole or form some sort of dram
Elvis Costello's frequent collaborator T-Bone Burnett produced Secret, Profane & Sugarcane,
an Americana-inflected album working with country and folk traditions
for images of sawdust floors set to mandolin and fiddle. Costello
intended one s
You wouldn’t expect to find T-bone and sirloin dinners at a place with stool seating and a location next to a shop hawking cell phones and cigarettes. But one of the city’s most evocatively named eateries, ZaZa Steak & Lemonade (4919 W. Capito
The enduring fantasy of older men is that a gorgeous
young woman will fall in love with them, find them sexually arousing
and long to imbibe their wisdom while sitting at their feet. That
fantasy is the spring driving Woody Allen's often-hilarious f
Away We Go, a droll comedy-cum-drama by director Sam Mendes (American Beauty),
perceptively explores the lives of more-or-less ordinary 30-somethings
lost in a world without much meaning. Verona (Maya Rudolph) and Bu


