For Generation X, 1994 seems to loom in memory as
1962 did for the American Graffiti
gang and 1967 for the hippies. It was the year Kurt Cobain killed himself and
Pearl Jam rode triumphantly onto the arena rock circuit. It’s the time of The Wackness, a modestly engaging, wacky
coming of age comedy concerning a slacker doofus, his psychiatrist and the girl
who initiates him into sex for two (as opposed to the more solitary variety)
and the roiling emotions of first love.
Writer-director Jonathan Levine shot The Wackness through the misty lens of
nostalgia, as if applying a thin gel of wistful memory to the viewfinder. The
slacker doofus protagonist, Luke Shapiro (Josh Peck), is graduating from his Manhattan high school and
bound for the uncertain prospect of college. His family is coming apart under
financial strain and he is now the unacknowledged breadwinner. Luke makes the
rounds through the city pushing an ice cream cart filled to the lid with marijuana
fresh off the boat from Jamaica.
Unlike the pot dealers of an earlier generation,
Luke’s outlaw status is bracketed by quotation marks. An ironic criminal, his
diffidence verges on paralysis as he works the edges of the dope hip-hop scene
because of what he sells, not because anyone thinks he’s cool. Luke looks at
the world through a hazy scrim of depression, the narrowed eyes and horizon of
a perennial pothead. He barters bud for talk therapy with his Deadhead
psychiatrist, Dr. Squires (Ben Kingsley). Like his patient, Squires is
profoundly unhappy and dependent on stimulants and depressants to make it
through bedtime.
The ray of sunshine in the druggy murk of Luke’s
adolescent angst and Squires’ chronic mid-life crisis is the doctor’s fetching
stepdaughter, Stephanie (Olivia Thirlby). Uninhibited and unpretentious, she
regards her aging Baby Boomer step dad with tolerant, eye-rolling contempt. For
his part, Luke erupts in anger at his ineffectual father, whom he dismisses as
an overgrown child. Stephanie and Luke are products of parents who faked their
way into adulthood. Squires keeps his medicine cabinet well stocked with
lithium, valium and a dozen other prescriptions to dull his sense of failure,
even as he proffers stale advice to Luke about cutting loose and experiencing
the world that has crushed him.
The Wackness strains at times for humor
but has many truthful moments delivered by an excellent cast. Kingsley excels
once again in his eccentric mode. The real surprise come from superb performances
by Peck and Thirlby, a pair of emerging actors who bring their everyday
characters to life with low-key emotional sincerity.