Kara
Mulrooney plays Sarah Daniels, dean of students at Belmont College, a fictional
liberal arts school in Vermont. Daniels is forced to deal with a series of
hateful, racist notes being left for one of the school’s only black students.
Most members of the school’s faculty try to distance themselves from the
incidents in order to save the school’s public image.
Gilman’s
attempt to look into the heart of racism with unflinching honesty has met with
mixed reviews since it was first staged. Prominent African-American poet,
essayist and novelist Ishmael Reed considered it to be clumsy and racist.
However, the show’s director, Rose Wasielewski, says that Gilman’s drama speaks
to a universal perspective on the nature of racism. The school’s administration
represents established notions of society that the younger generation struggles
to change.
“There
is this sense of ‘The Man’ looking down on the little people, or not
understanding that not everyone and everything fits into a box,” Wasielewski says.
If
nothing else, productions of Spinning
Into Butter continue to keep the dialogue open, which may be especially
crucial in a city like Milwaukee.
“We
live in the second most segregated city in the nation,” says Pink Banana
founder Juanita Cordova. “There is so much anger on all sides and, in my
opinion, there just seems to be little to no discussion or effort toward
progression.”
One
of the biggest obstacles for the technical success of the Pink Banana
production may be an age difference: The cast skews younger while the play
features many older characters. But Wasielewski is confident in her cast.
“We
have an extremely talented group of actors working on this production,” she
says. “From the get-go the cast was completely onboard with the message of the
play and vision that I had for it. They all seem to be empowered by the
intricacies of the play and want to do it justice within their roles.”
Pink
Banana’s production of Spinning Into
Butter runs July 17–26 at the Tenth Street Theatre.
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