That same pulpy nostalgia rings forth in American
Players Theatre’s (APT) production of the 1933 comedy, which opened Saturday at
the Spring Green outdoor amphitheater. However, the author’s mastery at
crafting characters and APT’s consistently uncanny capability to rise above the
limitations of its material make this three-hour production surprisingly
enjoyable despite its occasionally tedious treacle.
The coming-of-age narrative focuses on Richard “Dick”
Miller (an engaging Steve Haggard), one of four children of newspaper owner Nat
Miller (Henry Woronicz) and wife Essie (Tracy Michelle Arnold), cornerstones of
little Waterbury, Conn.’s genteel society. Home and hearth is very much the
familial focal point, and scandal and indecency are measured in socialist
screeds and verses from The Rubaiyat of
Omar Khayyam. (The play’s title derives from Quatrain XI of Edward Fitzgerald’s
translation.)
Woronicz, new to APT, provides the play with a
wonderfully conceived moral touchstone, creating appropriate chemistry with his
earnest, albeit lost son and his doting wife, whom
Director John Langs provides a steady hand to the
play’s narrative rudder, which helps APT’s production steer clear of the
sentimental shoals that could have wrecked what in the end results in an
enjoyable and engaging summer evening.
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