Aside from his appearance last May at the Downer Theatre for the opening of Chasing Sound, a
documentary on his life and music, Les Paul has seldom visited
Wisconsin in recent years. In fact, his trips home have been few since
he hit the road with jazz bands in the 1930s.
His 8 p.m.
concert June 21 at the Pabst Theater with the Les Paul Trio and a cast
of Milwaukee musicians marks a triumphant return for a man who never
forgot his roots, despite his long absence. Recalling his 1949 marriage
to Mary Ford in Milwaukee, Paul says, “Mary said when she came to
Milwaukee, ‘The Midwest is comfortable, polite.’” He agrees, adding,
“When I left the Midwest, I never really liked all the people [he met
elsewhere].”
The song list for his Pabst show doesn’t exist
and won’t—until the final second before his fingers caress the strings
of his guitar. He has always preferred gauging the crowd without
preconceptions. The songs will depend “upon those people in the
audience at the Pabst,” he explains. “It’ll take me less than a minute.
Then I will know my set list, once I know who they are.”
He
will be playing a Les Paul Gibson guitar, but not a model available in
stores. Paul continues to modify his own instruments as he chases his
Platonic ideal of sound. Of his performance at the Pabst and the
Discovery World exhibit, he concludes, “This is my dream. I’m going to
be buried in Waukesha. I want to come home.”