“To hyphenate or not to hyphenate”
is a question that sometimes perplexes even the most seasoned writer or editor.
What’s more, the use of hyphens to express a dual identity has been a source of
contention for nearly a century. Those who oppose hyphenated ethnic terms,
whether Latin-American or British-Pakistani, claim they are divisive. Those in
favor believe they’re the only way to give equal credence to one’s ancestral
past and immediate present.
As far as Montreal-born,
Milwaukee-based Indian writer Shauna
Singh Baldwin is concerned, the more hyphenated you are, the better. She’s
always bridled at terms that seek to place a geographical limit on her breadth
of experience and range of expression. Even the name of her new book serves as
a curt rebuttal, further underlined by the broad geographical base it draws
upon. We Are Not in Pakistan is a
collection of short stories in which voices from the
In the title story an angry young
woman of mixed descent sharpens her knife-edged insecurities against her
Pakistani grandmother. “Only a Button” recounts the
Also this week, a group of women
involved in the visual, literary and performing arts, led by former Milwaukee
Poet Laureate Peggy Hong and
actress/director Deborah Clifton,
seeks to convey the human face of the Iraq war. Using blogs and memoirs written
by Iraqi and American women civilians and military members, the ensemble has
collaborated on a play titled Small
Pieces Fly to Heaven that combines elements of poetry, movement, drama and
art. The performance previews June 2-4. Its regular run takes place June 5-8 at
Off-Broadway Theatre,
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