Racial
tensions between the white and Hmong communities came to light in
Taking
this as a starting point, crime fiction author C.J. Box uses his new book, Blood
Trail, to delve into the environmental, economical and ideological impact
of hunting. His eighth book in the award-winning Joe Pickett series is once
again set in
Box,
an avid outdoorsman and hunter, has been lauded for presenting both sides of
the hunting issue. He comes to Mystery One Bookstore on May 29 at 7 p.m.
Also
coming to Mystery One this week is an author who tackles an even more pressing
issue: the curbing of civil liberties in contemporary society. The way in which
society’s fears and anxieties have been manipulated to forge black-and-white
mechanisms for judgment and accountability has long fascinated Barbara Fister. In her new book, In the Wind, she draws parallels between
the counterintelligence policies of the
Like
Box, Fister believes that crime fiction is capable of more than just providing
gratuitous thrills and reassuringly neat endings. “It helps form our
understanding of social issues,” she says on her Web site. “By drawing us into
an exploration of that which disturbs us, it can give our deepest fears
narrative form and meaning.”
Fister
comes to Mystery One on May 31 at 11 a.m.

Remember when bands cared about albums as an art form? Instead of
slapping together a dozen tracks because, hey, they'll just end up on
everyone's iPod shuffle anyway, musicians considered how their songs
might congeal as a whole or form some sort of dram
Elvis Costello's frequent collaborator T-Bone Burnett produced Secret, Profane & Sugarcane,
an Americana-inflected album working with country and folk traditions
for images of sawdust floors set to mandolin and fiddle. Costello
intended one s
You wouldn’t expect to find T-bone and sirloin dinners at a place with stool seating and a location next to a shop hawking cell phones and cigarettes. But one of the city’s most evocatively named eateries, ZaZa Steak & Lemonade (4919 W. Capito
The enduring fantasy of older men is that a gorgeous
young woman will fall in love with them, find them sexually arousing
and long to imbibe their wisdom while sitting at their feet. That
fantasy is the spring driving Woody Allen's often-hilarious f
Away We Go, a droll comedy-cum-drama by director Sam Mendes (American Beauty),
perceptively explores the lives of more-or-less ordinary 30-somethings
lost in a world without much meaning. Verona (Maya Rudolph) and Bu


