Like Moby, power-pop singer-songwriter Stuart Davis has a prominent bald dome and a propensity to share his philosophical and religious musings with anyone who will listen. Go to his Myspace pageand you’ll find curious videos of him debating himself. “I don’t observe Christmas, I’m a Buddist,” he tells himself in a video titled “Zen and the Zen of Zen.” “Dude, being Buddhist doesn’t preclude participation in common social ritual,” he responds. The video continues for another 11 minutes. A one-man Waking Life, Davis requires a certain amount of open-mindedness (and patience) to appreciate, and the fact that he’s working on inventing his own language called “IS” won’t make him any more popular with the masses who just want to have a beer and hear some music. Davis plays an 8 p.m. show at Shank Hall tonight.

Remember when bands cared about albums as an art form? Instead of
slapping together a dozen tracks because, hey, they'll just end up on
everyone's iPod shuffle anyway, musicians considered how their songs
might congeal as a whole or form some sort of dram
Elvis Costello's frequent collaborator T-Bone Burnett produced Secret, Profane & Sugarcane,
an Americana-inflected album working with country and folk traditions
for images of sawdust floors set to mandolin and fiddle. Costello
intended one s
You wouldn’t expect to find T-bone and sirloin dinners at a place with stool seating and a location next to a shop hawking cell phones and cigarettes. But one of the city’s most evocatively named eateries, ZaZa Steak & Lemonade (4919 W. Capito
The enduring fantasy of older men is that a gorgeous
young woman will fall in love with them, find them sexually arousing
and long to imbibe their wisdom while sitting at their feet. That
fantasy is the spring driving Woody Allen's often-hilarious f
Away We Go, a droll comedy-cum-drama by director Sam Mendes (American Beauty),
perceptively explores the lives of more-or-less ordinary 30-somethings
lost in a world without much meaning. Verona (Maya Rudolph) and Bu


