Demitra Copoulos
showcases a new technique that overlays ceramics with digital pigment prints in
her busts, including a rendering of Milwaukee
photographer Francis Ford. Copoulos’ sculpture requires an up-close, detailed
examination.
Alongside a
portrait, Katie Musolff provides personal notes and a graphite study that
describes the immense time and thought required to capture an individual on
canvas. Understanding this process allows for a greater appreciation of the oil
paintings that preserve her neighbors in Stoddard, Wis. Musolff introduces a
soulful-eyed neighbor with a straight-on portrait in Eugene, 321 North Pearl Street.
Each artist presents
a compelling look at the human face, and sometimes the entire form, as with
Marc Sijan’s full-size figures. Some artists may be unfamiliar to the metro
area, but many have attained national stature or will likely do so as their
careers progress. Through her large-scale self-portraits, recent MFA graduate
Melissa Cooke reveals a meticulous expertise that will be exciting to watch
develop. Cooke’s thin layers of powdered graphite, applied to white paper with
a dry brush, merge accomplished technique with visionary conceptual themes.
“To See Ourselves as
Others See Us” proves that contemporary portraiture remains a compelling genre.
Most viewers will leave the museum with a deeper emotional connection to the
unique personalities they meet on canvas and on the street, and with a newfound
respect for human individuality.
“To See Ourselves as Others See Us: Contemporary Wisconsin Portraits” continues through Aug. 29 at MWA (300 S. Sixth Ave., West Bend).






