Home / Arts / Art /  Haggerty Museum of Art Examines ‘The Black Panthers’
  Share
Monday, August 16,2010

Haggerty Museum of Art Examines ‘The Black Panthers’

Art Preview

By Peggy Sue Dunigan
 
Among its many contributions to culture, art may be a conduit for social activism. Whether widely accepted or highly controversial, a work of art can be an effective means of introducing ideas and influencing public opinion. The exhibition opening Aug. 25 at Marquette University’s Haggerty Museum of Art exemplifies this notion through an extensive photographic essay regarding the Black Panthers.

In the museum’s Mezzanine Gallery, “The Black Panthers: Making Sense of History” presents more than 40 prints from the 1960s and ’70s by award-winning photographer Stephen Shames. Shames, at the time enrolled as a student at the University of California, Berkeley, gained access to the leaders of the revolutionary Black Panther Party. The Black Panthers, today an iconic symbol of ’60s political discourse and counterculture, had called for radical reforms to empower African Americans through changes in education, employment, health care and housing. Images of the party and the issues at hand helped to shape public perception of the Black Panthers and their movement.

Shames’ photographs provide a private, reflective portrayal of the group and the times. As an artist who has garnered international acclaim, including the Kodak Crystal Eagle Award for Impact in Photojournalism, his prints grace collections in the National Portrait Gallery, the Smithsonian American Art Museum and the Corcoran Gallery of Art, among others. Through Aperture, Shames has also published monographs regarding social issues, including one—2006’s The Black Panthers—detailing photographs and experiences related to this exhibition.

Some of Shames’ photographic visions have captured the concerns of the underprivileged throughout the world, and some have even become the impetus for nonprofit organizations such as L.E.A.D. Uganda, which was inspired by his funeral photographs of a mother who left behind five orphans. L.E.A.D. Uganda later won a grant and has helped to educate orphans, former underage soldiers and refugee children.

On select Wednesday evenings at 6 p.m., the Haggerty Museum hosts receptions to complement the exhibition: On Sept. 15, history professor Andrew Witt discusses “Picking Up the Hammer: Rethinking the Black Panther Party”; on Sept. 29, Stephen Shames arrives for a gallery walk through the exhibition; on Oct. 6, Sister Anita Price Baird from the Archdiocese of Chicago’s Office for Racial Justice offers her thoughts on “Creating a Vision of a Post-Racial World.”

From Aug. 20-22, the city welcomes the arrival of the Milwaukee Domes Art Festival. Seventy-five juried artists will attend the event amid the beautiful displays at this local landmark on Friday, Aug. 20, noon-7 p.m., Saturday, Aug. 21, 10 a.m.-7 p.m., and Sunday, Aug. 22, 10 a.m.-4 p.m.

 

POST A COMMENT
 
 
Today in Milwaukee
SAG_Click2012.jpg
BOM_Winners_410x93.jpg
ShepDrink_092911_410x93.jpg
Cover_300x344_02_09_12.jpg

Join Us at Facebook, Twitter, MySpace and Flickr


 
 
 
*/?>