Among the
composers most well known to classical music lovers are probably not
Ferdinando Carulli (1770-1841) or Fernando Sor (1778-1839), even though
combined they account for more than works for the guitar. But therein
lies the reason, perhaps, that they aren’t better known: The guitar has
(as far as Classical Music is concerned) always been something of the
ugly stepsister amongst the instruments. In its upcoming concerts,
Musical Offering, Ltd., hopes to give the classical guitar its due.
The
Italian-born Carulli took up the guitar when he was in his 20s and once
converted, sought to develop the guitar as a first-class classical
instrument. To this end, he had to study on his own and even had to
largely self-publish his compositions. In his quest to popularize the
guitar, Carulli didn’t mind borrowing well known tunes from his famous
predecessors—case in point being his Variations de Beethoven, Op. 169,
which is itself a set of variations Beethoven composed (Op. 66) to the
aria “Ein Maadchen oder Weibchen” from the opera Die Zauberfluute by
Mozart. Musical Offering performs this work as well as Carulli’s
Nocturne in D Minor, Op. 131. The Spanish-born Sor didn’t become quite
the guitar-exclusive composer that Carulli was, however he is
remembered today chiefly for more than 100 works he composed for the
instrument that remain a vital part of the guitar repertory. Sor’s
various rondos, divertimentos, polonaises and fantasies are similar to
those of his near-contemporary Carulli, but Sor deliberately composed
works intended for beginners as well as a decidedly more challenging
set of works aimed at the accomplished guitarist. Musical Offering
performs Sor’s Fantaisie, Op. 54.
Niccol Paganini (1782-1840)
is known as the greatest violin virtuoso who ever lived, and his
compositions largely reflect upon that career, but he dabbled in other
instruments as well, including the guitar. A particularly potent
blending of both instruments can be found in his 1808 Grand Sonata in A
Major for Guitar & Violin, Op. Posth. 35, in which—perhaps
surprisingly—the guitar part is raised to a level equal to or even
above that of Paganini’s beloved violin. In a unique segment of the
Romanza, he turns the tables as the guitarist assumes a lovely,
melancholic tune while the violinist is called upon to pluck the
violin’s strings in accompaniment! Musical Offering’s artistic director
and accomplished keyboardist Joan Parsley is joined for this concert by
Cuban-born classical guitarist Rene Izquierdo, and guitarist Elina
Chekan of Minsk, Belarus. Izquierdo earned his Master of Music and
Artist Diploma from Yale University, and is presently professor of
classical guitar at Wisconsin State University in Milwaukee. He won the
JoAnn Faletta International Guitar Competition in 2004. Chekan directs
the Pre-College Division’s Guitar Program at UW-Milwaukee, and also
attained her Master of Music
This
concert of rare works for classical guitar takes place on March 15 and
16 at 157 N.87th St., Wauwatosa. For tickets and more information
please call (414) 258-6133. The concerts are preceded by an opening
Jause (Viennese reception).
I appreciated the fine coverage this article gave to the Musical
Offering: Champions of Classical Guitar. It was a very special program yesterday, one a person doesn't often get the chance to hear, and the preview caught all the main elements of the experience. Joan Parsley provides a very unique musical experience in this city. Thanks!
Marion Verhaalen
All Good Things, My Disaster March, and The Lillies have joined forces to help raise money and awareness for both the American Heart Association and Heart Disease. There is no cover, but we do ask for a $5 donation at the door. All proceeds go the the AHA.
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