The
fantastic new CD Portraits & Elegies
(Innova), recorded by violinist Frank Almond and pianist Brian Zeger, explores
the lyrical side of contemporary American music. Philip Lasser’s unashamed love
of French music is apparent in the lovely Vocalise
(1999) and Berceuse Fantasque
(1996). Ten miniature character pieces from Ned Rorem’s Day Music (1971) and Night
Music (1972) show alluring, wide-ranging variety. Though thoroughly
instrumental, they are akin to Rorem’s many art songs in exquisitely creating
and sustaining a brief mood. Fleet virtuosity alternates with long-lined
melody. Russell Platt is heard in two elegantly sad movements, appropriately
titled Autumn Music (2005). The album
reaches its apex in Peter Lieberson’s Elegy
(1990), surely one of the most profound and moving chamber works composed
in recent decades.
Overall, the compilation and performance capture deeply considered poetic reflection. Almond and Zeger perform with unerring taste, spontaneous freshness and highly evolved, expressive sensitivity. The violin Almond plays, the ex-Lipinski Stradivarius, records with incredible richness, displaying a dazzling spectrum of colors. This marks its commercial recording debut. The curatorial choice of literature makes a case for substantial, sophisticated new music firmly rooted in romantic traditions. In this it succeeds handsomely.
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