I write about the things most
people would rather not talk about, much less write about—big questions that
are thorny moral dilemmas and that usually make us feel a little uncomfortable
and leave a reader thinking hard. This is a big departure from the easy
breezy beach read!
Why
did you choose to structure your book in this way, with multiple voices and
some time lapses? Were you trying to throw readers a little off guard?
The time lapses were practical—I needed the reader to see how much time passes
between conviction and sentencing and the ultimate carrying out of the death
sentence. As for the multiple voices, they correspond to the Bible's main
gospels: Matthew, Mark, Luke and John become Maggie, Michael, Lucius and
June—and just like the Bible, the savior character does not have a narrative but
exists in everyone else's descriptions of him.
What
was the most trying part of your research for this book?
I was en route to death row in
Do
you feel capital punishment is a pressing issue today or does it get relegated
to the background?
I feel that like religion, it's something we tend to go along with without
really wanting to explore it further—probably because we might get answers that
make us a bit uncomfortable. Given that we're the only first world
country that still has capital punishment on the books, I think it's at least
worth an honest look at whether it is a fair system of justice.
In
your book religious zealots get little airtime. Have you, or do you intend to,
offer a deeper exploration of religious fundamentalism in your work?
Gosh, I thought the religious zealots got some good airtime in Change of Heart! I love the
Reverend Justus Arbogath; his church is modeled on one I saw in
Mr. Poynter

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