The songs themselves are entirely the work of
Benign, a writer of elliptical vignettes grounded in the ‘80s style of Squeeze
and Crowded House with many wry wrinkles in the lyrics. And yet the production
and arrangements continually allude to an earlier period, complete with
Beatlesque harmonies and the icy whisper of Tyler Traband’s melotron. Perhaps
the album’s most brilliant track, “The Soothing Sounds of Seals and Crofts,” is
an insomniac’s nightmare at the edge of fuzzy psychedelia, an insistent beat
drumming home the anxiety of sleeplessness.







